1. grizandnorm:

Warm-up thumbnails 09/09/14Some more random thumbnails to loosen up this morning. The “model” got bigger and bigger by the end of it.-Norm

    grizandnorm:

    Warm-up thumbnails 09/09/14

    Some more random thumbnails to loosen up this morning. The “model” got bigger and bigger by the end of it.

    -Norm

    1 week ago  /  334 notes  /  Source: grizandnorm

  2. photo

    photo

    photo

    photo

    photo

    photo

    1 week ago  /  169 notes  /  Source: comicartistevolution

  3. photo

    photo

    photo

    photo

    1 week ago  /  1,126 notes  /  Source: cartoonbrew

  4. andrewcrobinson:

spaceshiprocket:

Red Sonja v3 #1 cover by Walt Simonson




Walt is truly one of the best.

    andrewcrobinson:

    spaceshiprocket:

    Red Sonja v3 #1 cover by Walt Simonson

    Walt is truly one of the best.

    1 week ago  /  89 notes  /  Source: spaceshiprocket

  5. photo

    photo

    photo

    1 week ago  /  343 notes  /  Source: ryanottley

  6. photo

    photo

    photo

    photo

    photo

    photo

    photo

    1 week ago  /  108 notes  /  Source: comicartistevolution

  7. photo

    photo

    photo

    photo

    1 week ago  /  988 notes  /  Source: theimportantfile

  8. photo

    photo

    photo

    photo

    photo

    photo

    photo

    photo

    photo

    photo

    1 week ago  /  2,598 notes  /  Source: cogcomics

  9. photo

    photo

    photo

    photo

    photo

    photo

    photo

    1 week ago  /  37,992 notes  /  Source: thedragonflywarrior

  10. photo

    photo

    photo

    photo

    1 week ago  /  600 notes  /  Source: dustinweaver

  11. photo

    photo

    photo

    photo

    photo

    1 week ago  /  3,628 notes  /  Source: jcleyendecker

  12. (via swegener)

    1 week ago  /  486 notes  /  Source: cosmiccantina

  13. thetinhouse:

Kurt always says it best.

Kurt Vonnegut: 16 Rules For Writing Fiction
1. Use the time of a total stranger in such a way that he or she will not feel the time was wasted.
2. Give the reader at least one character he or she can root for.
3. Every character should want something, even if it is only a glass of water.
4. Every sentence must do one of two things — reveal character or advance the action.
5. Start as close to the end as possible.
6. Be a sadist. No matter how sweet and innocent your leading characters, make awful things happen to them — in order that the reader may see what they are made of.
7. Write to please just one person. If you open a window and make love to the world, so to speak, your story will get pneumonia.
8. Give your readers as much information as possible as soon as possible. To heck with suspense. Readers should have such complete understanding of what is going on, where and why, that they could finish the story themselves, should cockroaches eat the last few pages.
9. Find a subject you care aboutand which you in your heart feel others should care about.
10. Do not ramble.
11. Keep it simple. Simplicity of language is not only reputable, but perhaps even sacred.
12. Have guts to cut. Your rule might be this: If a sentence, no matter how excellent, does not illuminate your subject in some new and useful way, scratch it out.
13. Sound like yourself. The writing style which is most natural for you is bound to echo the speech you heard when a child.
14. Say what you mean. You should avoid Picasso-style or jazz-style writing, if you have something worth saying and wish to be understood.
15. Pity the readers. Our stylistic options as writers are neither numerous nor glamorous, since our readers are bound to be such imperfect artists.
16. You choose. The most meaningful aspect of our styles, which is what we choose to write about, is utterly unlimited.

    thetinhouse:

    Kurt always says it best.

    Kurt Vonnegut: 16 Rules For Writing Fiction

    1. Use the time of a total stranger in such a way that he or she will not feel the time was wasted.

    2. Give the reader at least one character he or she can root for.

    3. Every character should want something, even if it is only a glass of water.

    4. Every sentence must do one of two things — reveal character or advance the action.

    5. Start as close to the end as possible.

    6. Be a sadist. No matter how sweet and innocent your leading characters, make awful things happen to them — in order that the reader may see what they are made of.

    7. Write to please just one person. If you open a window and make love to the world, so to speak, your story will get pneumonia.

    8. Give your readers as much information as possible as soon as possible. To heck with suspense. Readers should have such complete understanding of what is going on, where and why, that they could finish the story themselves, should cockroaches eat the last few pages.

    9. Find a subject you care aboutand which you in your heart feel others should care about.

    10. Do not ramble.

    11. Keep it simple. Simplicity of language is not only reputable, but perhaps even sacred.

    12. Have guts to cut. Your rule might be this: If a sentence, no matter how excellent, does not illuminate your subject in some new and useful way, scratch it out.

    13. Sound like yourself. The writing style which is most natural for you is bound to echo the speech you heard when a child.

    14. Say what you mean. You should avoid Picasso-style or jazz-style writing, if you have something worth saying and wish to be understood.

    15. Pity the readers. Our stylistic options as writers are neither numerous nor glamorous, since our readers are bound to be such imperfect artists.

    16. You choose. The most meaningful aspect of our styles, which is what we choose to write about, is utterly unlimited.

    (via joehillsthrills)

    1 week ago  /  24,581 notes  /  Source: mimswriter

  14. photo

    photo

    photo

    photo

    1 week ago  /  10,339 notes  /  Source: lazymercenary

  15. photo

    photo

    photo

    photo

    photo

    1 week ago  /  246 notes  /  Source: comicartistevolution